The Baker's Wife (
andhiswife) wrote2021-07-10 07:24 pm
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Just a Little Bent
As far as Darrow antics go, this one might top the list for bloody eeriness. At the cottage, they can almost pretend nothing's happened. Between the garden, the chickens, and the staples she always keeps well-stocked, there's no immediate threat of starvation. The power hasn't failed yet, but even if it does, she thinks they'll be able to work around it — neither she nor Anne are exactly accustomed to being without it anymore, but that doesn't mean they've forgotten how to get by.
And surely things will go back to normal sooner or later. They always do, and she refuses to believe that—that whatever this is might be special in that regard.
But it's still unsettling. Even though it only seems to be the locals who have vanished, there were always far more of them than anyone else, and never has she felt the difference so keenly. Whole blocks are abandoned, shops either permanently shuttered or, more often, left unmanned mid-shift: the lights still on, but no one at home. But what she hates most are the littler signs of lives abruptly interrupted. A lone briefcase sitting at a bus stop; half-drunk beverages glued to their coasters by dried condensation; shopping carts left idle halfway down an aisle.
Regan is taking it especially hard, and no wonder.
It would be easier to avoid town entirely, and she'd be lying if she said she wasn't tempted. But she can't abide the thought of hiding out in the countryside when there are still plenty of people who need help. Not when her hands still remember how to feed a Village.
So she's stolen a bakery. Or, well... borrowed. She's borrowing a bakery.
It hadn't been hard to find. Even cleaning it up hadn't been too much of a challenge: people had already made off with the displays' contents, so there was little rotten food to be dealt with. Obviously there were no fresh ingredients worth salvaging, but things like flour, baking soda, and spices don't go bad overnight. There's plenty to start with, at least.
Getting the word out had been the bigger challenge. She's texted everyone she can, and Saoirse has made some very colorful signage to post in the bakery windows and in other places around the city, letting people know that there are fresh-baked goods available. She can't imagine charging for any of it, but after the first few hours (and some discussion with Anne), she'd added some signage suggesting that she wouldn't question where any raw ingredients might have come from, if people wanted to bring some.
It's mid-afternoon when she slides two more trays of muffins into the oven, sets a timer on her phone, and then steps out of the kitchen for some slightly cooler air. Her hair is falling out of its bun and she's probably a mess, but it's satisfying to see people eating something she made: something fresh and good that hasn't come from a bloody can.
[ooc: a mini-gathering for the vanishing NPC plot! If your pup knows Greta, you can assume they've received a text; otherwise, there's plenty of signage letting people know there's still one functioning bakery in town.]
And surely things will go back to normal sooner or later. They always do, and she refuses to believe that—that whatever this is might be special in that regard.
But it's still unsettling. Even though it only seems to be the locals who have vanished, there were always far more of them than anyone else, and never has she felt the difference so keenly. Whole blocks are abandoned, shops either permanently shuttered or, more often, left unmanned mid-shift: the lights still on, but no one at home. But what she hates most are the littler signs of lives abruptly interrupted. A lone briefcase sitting at a bus stop; half-drunk beverages glued to their coasters by dried condensation; shopping carts left idle halfway down an aisle.
Regan is taking it especially hard, and no wonder.
It would be easier to avoid town entirely, and she'd be lying if she said she wasn't tempted. But she can't abide the thought of hiding out in the countryside when there are still plenty of people who need help. Not when her hands still remember how to feed a Village.
So she's stolen a bakery. Or, well... borrowed. She's borrowing a bakery.
It hadn't been hard to find. Even cleaning it up hadn't been too much of a challenge: people had already made off with the displays' contents, so there was little rotten food to be dealt with. Obviously there were no fresh ingredients worth salvaging, but things like flour, baking soda, and spices don't go bad overnight. There's plenty to start with, at least.
Getting the word out had been the bigger challenge. She's texted everyone she can, and Saoirse has made some very colorful signage to post in the bakery windows and in other places around the city, letting people know that there are fresh-baked goods available. She can't imagine charging for any of it, but after the first few hours (and some discussion with Anne), she'd added some signage suggesting that she wouldn't question where any raw ingredients might have come from, if people wanted to bring some.
It's mid-afternoon when she slides two more trays of muffins into the oven, sets a timer on her phone, and then steps out of the kitchen for some slightly cooler air. Her hair is falling out of its bun and she's probably a mess, but it's satisfying to see people eating something she made: something fresh and good that hasn't come from a bloody can.
[ooc: a mini-gathering for the vanishing NPC plot! If your pup knows Greta, you can assume they've received a text; otherwise, there's plenty of signage letting people know there's still one functioning bakery in town.]
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That's still so weird, when she thinks about it.
She nods, quietly encouraging him to continue.
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"I've always been lonely," he says eventually, his expression as matter-of-fact as he can make it. "That made one of the, um..." He flounders a bit, his sign not good enough to word this with any nuance, and in the end he gives her an apologetic look as he digs out his phone and types it out: "One of those Entities from our world feeds off of loneliness, just like the one John and I sort of work for feeds off knowledge. And it was feeding off me for a while."
Once she's read this, he hesitates. He could just keep typing it out, but that feels both too difficult and like it would be rude, or lazy. He'd rather work on getting better at this, and the focus of just saying it is a better distraction than having to write it out, having to sit with it like that.
"So..." He pockets his phone again. "When I came here, that was still... happening. It was hard to stop."
So unbearably, painfully hard. He still thinks about it sometimes. He still has dreams. He still feels, on very few and very small occasions, the little wisps of cold fog chasing around the back of his neck.
"It made me feel like there were no other people in the world, sometimes," he says. "So, all this..." He gestures around them and then lets his hand fall, just staring at the empty streets for a while. Then he looks back at her. "It's hard."
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Haltingly, Regan moves closer to him. She doesn't know if this is the right move, but she'll figure it out pretty quickly, she decides. She pulls him into a hug, arms around him and chin on his shoulder. For very different reasons, the current state of the city has them both uncomfortable and afraid, but she thinks they have similar solutions. She steps back, a little embarrassed at her unsolicited action.
"Come on," she says. "You should come back to the bakery."
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When she steps back, she looks just as embarrassed as he feels, but he still manages a smile and nods at her suggestion.
"All right," he says, and touches her arm before she can turn away, wanting to make sure she sees him: "Thank you."
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"You're welcome," she answers.
It's easy enough to lead him back to the bakery. She knows the way almost by heart, now, just by sheer virtue of how often she's gone out with glue and a stapler. The signs are more thickly placed the closer they get, until they come upon it. There are plenty of people there. Anne, Greta, and Saoirse, of course, and other people have been coming and going. There's even a tall, slender redhead there, holding a jug of milk. The way she nods at Martin, Regan thinks they know each other.